Ed Ruscha (b. 1937 in Omaha, NE) is a contemporary master and one of the most recognized and influential artists working today. Ruscha is widely celebrated for his pioneering use of myriad media, including conceptually driven artist’s books, drawing, printmaking, film, photography, and painting. He has redefined our vision of American scenery through his landscapes and text-based works that explore the formal elements of printed text and its fluid relationship to the visual image. Ruscha defies the traditional expectations and developments in the recent history of the medium.

Born in Omaha, Nebraska in 1937, Ruscha moved to Oklahoma City in 1941. In 1956, he relocated to Los Angeles, in a Jack Kerouac-style road trip along Route 66. In LA, he attended Chouinard Art Institute (1956-60) with the intention of becoming a commercial artist. Like most art students in America at the time, Ruscha had a fling with Abstract Expressionism, but soon found himself attracted to the work of Jasper Johns, whose symmetrical aesthetics went against everything Ruscha had been taught in art school. Although for Ruscha, the lure of a possible career as an illustrator working for Walt Disney and the film industry was an equally great opportunity as the life of a painter, by the early 1960s, he had become well known for his paintings, collages, and printmaking, and for his association with the Ferus Gallery group, which also included the artists Robert Irwin, Edward Moses, Ken Price, and Edward Kienholz.

Ed Ruscha has had major exhibitions across the world, most recently a solo exhibition at the Museum of Modern Art, New York, NY (2023), which traveled to the Los Angeles County Museum of Art, Los Angeles, CA (2024). Works of Ruscha has also been exhibited at the Sonoma Valley Museum of Art, Sonoma, CA (2021); the Blanton Museum of Art, Austin, TX (2020); The National Gallery of Art, London, England (2018); The Getty Museum, Los Angeles, CA (2013); Kunstmuseum Basel, Basel, Switzerland (2013); the Los Angeles County Museum of Art (2012); and Tate Modern, London (2009). In 2018, a major retrospective exhibition was organized by KODE Art Museums and Composer Homes, Bergen, Norway, and traveled to Louisiana Museum of Modern Art, Humlebæk, Denmark. Peder Lund has presented the works of Ruscha three times, most recently with the exhibition 

Ruschas work is included in some of the world’s most prestigious institutional collections, including the Los Angeles County Museum of Art, Los Angeles, CA; Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; Centre Georges Pompidou, Paris, France; and the Whitney Museum of American Art, New York, NY. Ruscha represented the United States in the 51st Biennale di Venezia in 2005, and was featured in the 2015 Biennale de Lyon’s exhibition, “La Vie Moderne”. He lives and works in Los Angeles.

Ed Ruscha

In 1973, Ruscha first documented Hollywood Boulevard, producing two continuous panoramic views of the north and south sides of the street. Loading a continuous strip of black & white 35mm film into his motor-drive Nikon F2 and then mounting it on a tripod in the bed of a pickup truck, Ruscha drove back and forth across the entire length of the street, shooting it frame-by-frame. The negatives were developed, but never published.

In 2004, the artist re-shot Hollywood Boulevard with the same type of camera equipment, but this time on 35mm color- negative film. In Then & Now (2005), the original 1973 panoramic images run parallel to their 2004 versions, displaying the changes that have occurred over three decades.

Los Angeles is a crowded city known for its horizontal layout, as opposed to the vertical layout of major East Coast cities such as New York. Despite its population increase, the city continues to sprawl outwards as opposed to upwards, refusing to abandon the nostalgia of the wide-open West.

The exhibition visually documents changes, both small and large, in the suburban setting of Los Angeles and simultane- ously reflects Ruscha’s ongoing interests and process. The photographs of parking lots, vacant lots, and rooftop views serve as visual metaphors for the vastness of the modern day, American West and depict the simple, boxy aesthetic in the facades of LA structures and the city layout – aspects highlighted in the paintings, drawings, and the photography since Ruscha first moved to the West.

The 142-meter long work Then & Now will be rotating during the exhibition period and shown in conjunc- tion with work from the series Vacant Lots, Roof Top Views, Roof Top View 50 Years Later and The Sunset Strip. In addition to the photographs, fourteen of Ed Ruscha’s artist books, documenting his photographic practice since the 1960s, will be on view.